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Editor
Sreekar Prasad
87 films on filmi.ai · 62 scored·Works in Tamil (36%), Hindi (31%), Telugu (23%), Malayalam (10%)
Best-rated work
Hindi · 18+
82
Akkineni Sreekar Prasad, better known as Sreekar Prasad, is a National Award-winning Film editing professional, known for his works in Indian cinema. He works predominantly on Hindi, Malayalam, Tamil, Telugu and English films. His last National Film Award for Best Editing was for his work on the feature film Firaaq (2008), directed by Nandita Das. He was included in the Limca Book of Records as People of the Year - 2013 for wide contribution to the Indian cinema in several languages and also for holding a record 8 National Awards including a Special Jury Award.
Their films’ Filmi Score
57
across 62 films
as editor
6 Exceptional · 18 Very good · 21 Good · 8 Mixed · 9 Weak
Sreekar Prasad movies
Every film on filmi.ai with this person credited — their full filmography, newest firstbest movies first (highest scored), then the unscored by year — scored or not.
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Frequent collaborators
Three or more films together on filmi.ai, as director, writer, composer, cinematographer, editor or top-five billed cast.
A.R. Rahman
Composer · 14 films together
Mani Ratnam
Writer · Director · 10 films together
Anirudh Ravichander
Composer · 7 films together
Ravi K. Chandran
Cinematographer · Director · 7 films together
A. R. Murugadoss
Writer · Director · 6 films together
Santosh Sivan
Cinematographer · 6 films together
Around the web
Recent writing, podcasts and video essays about Sreekar Prasad — chosen by hand, one line on why to read each.
The paper trail behind 'Satluj': three titles, a CBFC cut order, a TIFF withdrawal, then ZEE5 pulling it in two days.
Variety · Naman Ramachandran · 7 Jul 2026 · 900 words
About this page
Scores are the same Filmi Score you see on each film page. Films before the scored window show no number until we reach them. Their films’ Filmi Score is the plain average of the Filmi Scores of the films where they are director, writer, composer, cinematographer, editor or top-five billed cast — a description of those films, not a verdict on the person.